
{"id":792,"date":"2013-12-21T00:25:15","date_gmt":"2013-12-20T22:25:15","guid":{"rendered":"http:\/\/91.121.6.49\/~esadstg\/playurban\/?p=792"},"modified":"2021-10-03T21:21:09","modified_gmt":"2021-10-03T19:21:09","slug":"rencontres-playurbanmaillon-18-19-oct-2013","status":"publish","type":"post","link":"http:\/\/www.le-hub.hear.fr\/playurban\/2013\/12\/rencontres-playurbanmaillon-18-19-oct-2013\/","title":{"rendered":"Ville(s)-en-Jeu(x) <hr> Rencontres Play&gt;Urban\/Maillon &#8211; 18-19 oct 2013<\/hr>"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h2><a href=\"http:\/\/www.le-hub.hear.fr\/playurban\/wp-content\/uploads\/sites\/3\/2013\/12\/ProgrammeDeSalle_RENCONTRES.pdf\">Ville(s)-en-Jeu(x) programme<\/a><\/h2>\n<p><span style=\"text-decoration: underline;\">Texte de pr\u00e9sentation au 16\/05\/13\u00a0<\/span><\/p>\n<p><strong>Aujourd\u2019hui de par le monde, les interventions d\u2019artistes dans l\u2019espace urbain se multiplient. Les praticiens concern\u00e9s viennent du th\u00e9\u00e2tre, de la danse, des arts visuels et sonores. Leurs actes s&rsquo;inscrivent dans les contextes qu&rsquo;ils investissent et produisent des moments de th\u00e9\u00e2tralit\u00e9 qui interrogent le devenir des villes. Ils reconfigurent les modes de (re)pr\u00e9sentation, tant dans les formes produites que dans la relation au public qui les per\u00e7oit, ce choix d&rsquo;agir dans la ville \u00e9tant une question ouverte et irr\u00e9solue pos\u00e9e aux lieux habituels de pr\u00e9sentation de l&rsquo;art (th\u00e9\u00e2tres, mus\u00e9es&#8230;). Lors de ces deux journ\u00e9es de rencontres, nous explorerons le pourquoi et la mani\u00e8re dont des artistes travaillant en Afrique du Sud, en Europe du Nord et au Br\u00e9sil, choisissent de s\u2019inscrire dans la ville et de mettre ou non leurs pratiques en battement avec la sc\u00e8ne th\u00e9\u00e2trale, comme matrice choisie ou impos\u00e9e par une histoire.<\/strong><\/p>\n<p>Throughout the world today, artist interventions in urban space are on the rise. The practitioners involved come from the theater and from dance, as well as from the visual and sonic arts. Their context-driven actions produce moments of theatricality that question the very nature of urban space. Formally and in terms of the relations they foster with people who witness them, these actions reconfigure modes of (re)presentation, querying, in an open-ended and unresolved way, the relevance of more conventional art spaces: theatres, museums and the like. Over the course of these two days of encounter, we will explore the reasons why and the ways in which artists working on three continents \u2013 in South Africa, in Northern Europe and Brazil \u2013 stage their practice(s) in city space and we will consider how, in so doing, they engage (or not) with the stage as a theatrical apparatus, whether by choice or because of historical circumstances beyond their control.<\/p>\n<p><strong>Nous donnerons la place \u00e0 des artistes qui prennent la ville comme mat\u00e9riau de cr\u00e9ation et comme espace de monstration, se nourrissant du quotidien, de la th\u00e9\u00e2tralit\u00e9 m\u00eame de l\u2019urbain. Leurs performances tentent de raconter la ville \u00ab\u00a0de l\u2019int\u00e9rieur\u00a0\u00bb, selon des modes discrets ou spectaculaires. Nous questionnerons des dispositifs comme le r\u00e9cit d\u2019espace, la d\u00e9ambulation, l\u2019improvisation (individuelle ou collective) simultan\u00e9ment actes de vie et de cr\u00e9ation; mais <i>aussi<\/i> la figure du spectateur-acteur ou comment faire spectacle de soi, performer le quotidien ? Nous aborderons \u00e9galement des questions relatives \u00e0 la place et \u00e0 l\u2019efficacit\u00e9 de l&rsquo;acte artistique en termes de changements sociaux, politiques : qu\u2019en est-il du geste d\u2019artiste comme dispositif de combat, de conflit\u00a0?<\/strong><\/p>\n<p>We will enter into an extensive conversation with artists who see the city simultaneously as a space and as a medium \u2013 a building block \u2013 for creation, practitioners whose work draws its substance from the quotidian theatricality of the city. In their performances, the artists with whom we will be dialoguing seek to tell the city \u201cfrom the inside\u201d, sometimes discretely, sometimes in great flashes of spectacle. How, we will ask, do speaking the city, wandering through it, improvising with(in) it (alone or in groups) \u2013 acts of daily life and creation alike \u2013 function in their work? What happens when, in the context of this work, spectators become actors? How, then, does one self-stage? How does one perform the quotidian? At the core of our discussion too will be the role and the effectiveness of art as a tool in bringing about social and political change: can such art as we will be considering here combat? Can it enter the fray of conflict?<\/p>\n<p><strong>En s&rsquo;immergeant dans la ville, \u00e0 qui ces artistes s\u2019adressent-ils : habitant, citoyen, passant\u00a0? Les formes qu\u2019ils d\u00e9veloppent reconfigurent l\u2019adresse au spectateur ; l\u2019attention de celui-ci \u00e0 la \u201csc\u00e8ne\u201d en est transform\u00e9e en un \u00e9tat troublant, o\u00f9 il devient plus complexe de faire le tri entre fiction et r\u00e9alit\u00e9, m\u00eal\u00e9s dans la part th\u00e9\u00e2trale de la cit\u00e9 ainsi r\u00e9v\u00e9l\u00e9e. S\u2019agit-il toujours de spectateur (au sens de celui qui regarde), de public ou d&rsquo;individu ?<\/strong><\/p>\n<p>By immersing themselves in the city, whom are the artists who draw our attention seeking to engage? Inhabitants, citizens, passers by? What manner of address to the spectator does their work involve? Watching the \u201cstage\u201d in these conditions can fast become a disturbing condition, as the line between fact and fiction blurs, made increasingly tenuous by the theatricality of the city that the artistic act reveals. Is s\/he who watches a spectator, an audience member, an individual? Is s\/he any or all of these?<\/p>\n<p><strong>Ces rencontres se construiront \u00e0 partir de r\u00e9cits d&rsquo;artistes venus d&rsquo;horizons g\u00e9ographiques diff\u00e9rents. Ils nous parleront de la mani\u00e8re dont ils articulent dans leurs pratiques ces enjeux avec leurs environnements urbains. Un ensemble de points de vue th\u00e9oriques, mis en dialogue avec les exp\u00e9riences expos\u00e9es viendront compl\u00e9ter le dispositif. Ce sera ainsi une mani\u00e8re d&rsquo;interroger, \u00e0 Strasbourg m\u00eame, le devenir des espaces publics en les mettant en perspective avec d&rsquo;autres contextes urbains dans le monde.<\/strong><\/p>\n<p>Our two-day encounter will be built around the accounts of artists hailing from a wide range of geographical locales. The artists will speak about ways in which, in their urban-based practices, they grapple with the questions outlined above. Theoreticians invited to dialogue with the artists will explore these issues with them. This set-up will allow for an in-depth discussion about the future of public space(s) \u2013 a subject that is vital to Strasbourg as to cities worldwide.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ville(s)-en-Jeu(x) programme Texte de pr\u00e9sentation au 16\/05\/13\u00a0 Aujourd\u2019hui de par le monde, les interventions d\u2019artistes dans l\u2019espace urbain se multiplient. Les praticiens concern\u00e9s viennent du th\u00e9\u00e2tre, de la danse, des arts visuels et sonores. Leurs actes s&rsquo;inscrivent dans les contextes qu&rsquo;ils investissent et produisent des moments de th\u00e9\u00e2tralit\u00e9 qui interrogent le devenir des villes. [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":3288,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[193,194,81,192],"tags":[],"class_list":["post-792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-colloque","category-evenements","category-strasbourg-2013","category-villes-en-jeux"],"_links":{"self":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts\/792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/comments?post=792"}],"version-history":[{"count":14,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts\/792\/revisions"}],"predecessor-version":[{"id":4190,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts\/792\/revisions\/4190"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/media\/3288"}],"wp:attachment":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/media?parent=792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/categories?post=792"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/tags?post=792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}