{"id":262,"date":"2013-03-06T07:08:54","date_gmt":"2013-03-06T05:08:54","guid":{"rendered":"http:\/\/91.121.6.49\/~esadstg\/playurban\/?p=262"},"modified":"2024-08-28T16:34:19","modified_gmt":"2024-08-28T14:34:19","slug":"endurance","status":"publish","type":"post","link":"http:\/\/www.le-hub.hear.fr\/playurban\/2013\/03\/endurance\/","title":{"rendered":"Endurance"},"content":{"rendered":"

d\u2019apr\u00e8s notes de Jc Lanquetin<\/i>.
\nLors de la rencontre avec Abdulmaliq Simone \u00e0 Strasbourg nous l\u2019interrogeons sur la relation entre\u00a0people as infrastructure<\/i>\u00a0et dimension artistique de la vie quotidienne\u00a0; il parle d\u2019endurance.<\/strong><\/p>\n

A.S parle d\u2019un quartier de Djakarta – o\u00f9 il vit et travaille\u00a0-, intense, difficile, beaucoup de gens et d\u2019\u00e9nergies diff\u00e9rentes y cohabitent. Il fait remarquer que les gens parlent de ce quartier d\u2019o\u00f9 ils viennent comme s\u2019il s\u2019agissait d\u2019une description de qui ils sont. M\u00eame des gens qui n\u2019y vivent pas diront qu\u2019ils sont de ce quartier et non de Djakarta. C\u2019est la question de la citoyennet\u00e9 comme d\u00e9ception (disapointment). Mais ce qui est int\u00e9ressant dans la r\u00e9ponse apport\u00e9e au fait d\u2019\u00eatre citoyen de Djakarta, c\u2019est qu\u2019il s\u2019agit d\u2019endurance. L\u2019endurance a \u00e0 voir avec la difficult\u00e9 de survivre. Pour survivre, tu d\u00e9fends un territoire particulier, tu le r\u00e9duis au mimimum, c\u2019est une position d\u00e9fensive. Si on observe ce que les gens font ensemble, l\u2019endurance est une mani\u00e8re d\u2019inventer de la familiarit\u00e9 \u00e0 un niveau superficiel. L\u2019endurance, c\u2019est une mani\u00e8re de voir de la familiarit\u00e9 l\u00e0 ou il n\u2019y a pas de claire familiarit\u00e9. C\u2019est la constitution d\u2019un pont, il ne s\u2019agit pas de chercher un point commun (common term). M\u00eame s\u2019il n\u2019y a pas de r\u00e9elles cat\u00e9gories qui supportent ce pont, c\u2019est une mani\u00e8re de voir dans les autres quelque chose au del\u00e0 de ce que tu es habitu\u00e9 \u00e0 voir. Car la citoyennet\u00e9 est une division qui sp\u00e9cifie une familiarit\u00e9\u00a0ready made,<\/i>\u00a0toute faite entre les personnes.
\nL\u2019endurance l\u00e0 o\u00f9 il n\u2019y a pas de familiarit\u00e9, c\u2019est la production d\u2019un pont. Tu dois croire en quelque chose qui n\u2019est pas l\u00e0, comment tu cr\u00e9\u00e9 ce pont. Ce n\u2019est pas en termes sociologiques, ni en termes de proximit\u00e9s, ethniques ou autres. Les cat\u00e9gories sociologiques n\u2019aident pas. Cet acte de voir de la familiarit\u00e9 dans le non familier comme point critique de l\u2019endurance se situe dans la pratique esth\u00e9tique (au sens de Ranci\u00e8re). D\u2019o\u00f9 le performatif, les pratiques artistiques, des mani\u00e8res artistiques d\u2019imaginer ce pont comme quelque chose de possible, de concret. Endurer la ville, traverser et vivre avec les difficult\u00e9s, d\u2019une mani\u00e8re viable. En un sens c\u2019est comme un royaume artistique\u00a0artistic kingdom<\/i>\u00a0(nb : v\u00e9rifier le sens de cette phrase).
\nIl s\u2019agit de cr\u00e9er le terrain (ground) commun d\u2019une familiarit\u00e9. C\u2019est au del\u00e0 de se conna\u00eetre, il s’agit d’autre chose. Il s\u2019agit de la possibilit\u00e9 de faire quelque chose avec toi, quelque chose de diff\u00e9rent, au del\u00e0 de ce qu\u2019on a \u00e9t\u00e9 capables de faire avant. C\u2019est \u00e0 nouveau l\u2019extension de l\u2019exp\u00e9rimentation (dont A.M parlait plus t\u00f4t)\u00a0: je dois faire quelque chose avec toi mais en voyant (trouvant – inventant) quelque chose de familier. Et dans ce sens, collectivement nous endurons toutes sortes de volatilit\u00e9s de la vie urbaine\u00a0collectively we endure all the kind of volatility of urban life<\/i>. Et la pratique de cela r\u00e9side dans une dimension artistique, qui nous permet de r\u00e9imaginer qui nous sommes.<\/p>\n

 <\/p>\n

from notes by Jc Lanquetin.<\/span>
\nDuring a talk by A.S in Strasburg, the question we ask him is about the relation between People as infrastructure and the artistic dimension of daily life\u00a0; he speaks about endurance.<\/strong><\/span><\/p>\n

A.S speaks about an area in Djakarta – where he lives and work – , intense, hard, a lot of people and different energies live together there. People, says AS, speak about this area where they come from, as if it was a description of who they are. Even people who are not living there will say they are from there and not from Djakarta. This the question of being a citizen as disappointment. But the interesting point is about the answer to the question of being a citizen in Djakarta, is about endurance. Endurance is in link with the difficulty of surviving. In order to survive, you have to defend a specific territory, you reduce it to a minimum space, its a defensive position. If you observe what are people doing together, endurance is a way to invent familiarity at a superficial level. Endurance is a way to see familiarity where there is no clear familiarity. This is the constitution of a bridge, it is not about finding a common term. Even though there is no clear categories which are structuring the bridge, this is a way to see in others something beyond what you are used to see. Because citizenship is a division which specifies a ready made familiarity between people.<\/span>
\nEndurance is where there is no familiarity, this is the production of a bridge. You must believe in something which is not there, how you build this bridge. This is not about sociology, it is not about proximity, ethnical or others kinds. The sociological categories does not help. The fact of seeing familiarity in the non familiar as critical point of the endurance is in the esthetic practice (in the meaning of Ranci\u00e8re).<\/span>
\nFrom this comes the performative, the artistic practices, the artistic ways to imagine this bridge as something possible, tangible. Enduring the city, crossing and live with difficulties, in a tolerable way. (…).<\/span>
\nIt is about creating a familiar ground through this. This is something else, its beyond knowing each others. It\u2019s about the possibility of doing something with you, something different, beyond what we were able to do before. It\u2019s again an extension of the experimentation\u00a0: I must do something with you but by finding a common familiar space. And through this, collectively we endure all the kind of volatility of urban life. And the practice of this is in the artistic dimension, which allows us to re-imagine who we are.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

d\u2019apr\u00e8s notes de Jc Lanquetin. Lors de la rencontre avec Abdulmaliq Simone \u00e0 Strasbourg nous l\u2019interrogeons sur la relation entre\u00a0people as infrastructure\u00a0et dimension artistique de la vie quotidienne\u00a0; il parle d\u2019endurance. A.S parle d\u2019un quartier de Djakarta – o\u00f9 il vit et travaille\u00a0-, intense, difficile, beaucoup de gens et d\u2019\u00e9nergies diff\u00e9rentes y cohabitent. Il fait […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[45,42],"class_list":["post-262","post","type-post","status-publish","format-standard","hentry","category-people-as-infrastructure","tag-endurance","tag-people-as-infrastructure-3"],"_links":{"self":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts\/262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/comments?post=262"}],"version-history":[{"count":7,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts\/262\/revisions"}],"predecessor-version":[{"id":1083,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/posts\/262\/revisions\/1083"}],"wp:attachment":[{"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/media?parent=262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/categories?post=262"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.le-hub.hear.fr\/playurban\/wp-json\/wp\/v2\/tags?post=262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}